Start the Loudspeaker Year with Voice Coil January 2025

The first issue of Voice Coil for 2025 is now available and includes a new article by Claus Futtrup about computation of alignments, Dave Morrison discussing Spikes & Isolation for Speaker Decoupling and another valuable directory of Earphone and Headphone Manufacturers and parts. On his Test Bench, Vance Dickason characterizes the new Scan-Speak D3004/666000 metamodal TPCD dome tweeter and the Dayton Audio UMII10-22 Ultimax II 10" Subwoofer.

The fifth article by Claus Futtrup in his series about loudspeaker bass reflex alignments explores the concept of transitional alignments, which is helpful in bridging between filter types. The example details a transitional alignment between Butterworth B4 and Linkwitz-Riley LR4. This article series started in May 2024 with “Computation of Bass Reflex Alignments," the series expanded with classical alignments such as the B4, the LR4, the IB4, and most recently, the CD4 vented alignment, in the August 2024 issue.

In the fourth article from Claus Futtrup in his series about the invention, concept, and historical perspective of loudspeaker bass reflex alignments, he explores the Critically Damped Fourth-Order (CD4) bass reflex alignment. This alignment remains one of the least known and hasn't been discussed in literature related to loudspeaker design, even though it allows for interesting output properties. This article was originally published in Voice Coil, August 2024.

Before computers were broadly available for loudspeaker bass reflex box simulations, engineers relied on "Alignments" for their designs. Such box alignments are typically named after equivalent filter functions that the high-pass response of the box was aligned after — for example, Butterworth (B4) and Bessel (BL4) — to name a few. This article, the third in this series, explores the rarely talked about Inter-Order Butterworth (IB4) alignment, mentioned originally by Richard Small and Neville Thiele.

Before computers were broadly available for loudspeaker bass reflex box simulations, engineers relied on "Alignments" for their designs - typically named after equivalent filter functions that the high-pass response of the box was aligned after — for example, Butterworth (B4) and Bessel (BL4) — to name a few. In this article, Claus Futtrup now focuses on the Linkwitz-Riley (LR4) Bass Reflex Alignment.

The first in a series of great value for speaker designers, this article provides an updated approach for the mathematical presentation of the various alignments, applicable to all computerized development tools. This is effectively an explanation of the code available in the Alignment Chart of the Speakerbench web application that Class Futtrup developed in collaboration with Jeff Candy.

The use of standard filter alignments represents a foundational concept in the loudspeaker industry, with an impact nearly as significant as the invention of the electro-dynamic loudspeaker principle itself. As one of the creators of Speakerbench, a web-based speaker design tool, in collaboration with Jeff Candy, Claus Futtrup is in a unique position to discuss the evolution of enclosure designs based on this electrical filter theory, including the concept of an alignment chart.

Voice Coil May 2024 includes valuable speaker design knowledge, courtesy of Claus Futtrup, who writes about Computation of Bass Reflex Alignments. And this issue includes an updated Microspeaker Vendor Directory, with a MEMS Microspeaker Subdirectory, compiled by Mike Klasco and Nora Wong. And Vance Dickason placed the unique W4-2315 4.5” coaxial from Tang Band Speaker, together with Faital Pro's 5HX140 5” pro sound coaxial on Test Bench.

Claus Futtrup and Jeff Candy, the two creators of the Speakerbench online tool for assisting in speaker design calculations, continue to introduce more and more tools and features in this web-based application. In order to inspire even more the loudspeaker DIY community, the two authors have created an interesting Speakerbench Youtube channel where we can find new interesting videos discussing the history of speaker design theory and specifically Loudspeaker Bass Reflex Alignments.

In the first part of this work, the authors discussed the difficulties in estimating cabinet losses using the classical Thiele-Small framework, and proposed a solution using an advanced transducer model. In this second article, the authors detail how their Speakerbench web-app offers an accurate and practical approach to this problem, and demonstrate how users will be able to easily and accurately determine the best suitable box volume for a loudspeaker system. This article was originally published in audioXpress, September 2021.