A Solid-State Single-Ended Power Amp

In this simple amplifier project, Ed Simon describes a Class-A amplifier design that mainly intends to reproduce music with reinforced emotional expression. That's what you normally get with a quality design, but to achieve it, the author shares the complete concept, power requirements, circuit topology, construction and testing of this single-ended amp... in a solid-state design. This article was originally published in audioXpress, April 2006.

"There is nothing quite like a quality tube amplifier," states the author in the introduction to this directly heated triode amplifier project. The idea for the amplifier started from the author's discovery of the Loftin-White circuit. The author chose the 2A3 directly heated triode power tube to implement the Loftin-White circuit. The 2A3 vacuum tube is a power triode capable of outputting 3.5 W in a single-ended Class A configuration. This article was originally published in audioXpress, August 2013.

I recently purchased a pair of MTX Audio Monitor 5i 5.25″ bookshelf speakers because I needed small monitors for a new computer. I do some audio restoration, so I wanted good sound quality when I wasn’t using headphones. My tests determined that the reviewers were right about the MTX 5i’s weakness in the midrange frequencies. I measured the response and it was not especially flat. This convinced me to update the drivers. This article was originally published in audioXpress, June 2013.

This article focuses on the Poddwatt Series II stereo integrated valve amplifier, a project with roots that go back several years. The design continues to be relevant and to evolve. I call the basic design an “Oddwatt” because of its “odd” configuration, using two stages. This article was originally published in audioXpress, May 2013.

Recently, I got bitten by the nostalgia bug and picked up a pair of old factory-wired Dynaco ST70s in pretty nice condition. On one of the Dynaco ST70s, I installed a new 6GH8 driver board instead of dealing with the rare 7199 issue, and I designed a small (3” × 3”) PCB to combine the bias supply and added the LED bias-setting circuit. This article was originally published in audioXpress, April 2013.

This versatile control circuit is pure Class A analog, allowing control over the ultra-high transparency SACD (Direct Stream Digital) or DVD-A multichannel surround formats with up to six power amp channels. As the author wrote when he experienced multichannel music in SACD, “With a good recording, this transparent naturalness extends to an enveloping soundfield that - at its best - can make you think you’ve been listening from just outside the concert hall doorway, and now you’ve walked inside!”

When this great tube amp project was published originally in Glass Audio magazine, Ed Dell wrote “Joseph Norwood Still is pushing the envelope. His most recent triode design, which features the Svetlana 6550s and Hammond transformers, establishes new output limits—up to 100W.” Indeed, this would become a very popular project at the time, and still is, considering the frequent references. This article was originally published in Glass Audio 3, 2000.

This Class A tube headphone amp project, which the author created for Vintage Audio, includes a 6SL7GT for the input stage and a 6AS7G for the driver, and is able to drive headphones with impedance at or above 64Ω. The article provides a full description of design fundamentals and some useful guidance on the construction process. The result, as the author describes, should be “a satisfying headphone amp that will provide years of enjoyment.” This article was originally published in audioXpress, June 2008.

I built this amplifier to run my Dynaudio X12 speakers. The X12s are not known for efficiency, but these little mono blocks run the accurate X12s with ease. Don’t be fooled by their low power output. The limiting factor is voltage, not their ability to drive a load. This article was published originally in audioXpress, February 2012.

In this often mentioned project published in audioXpress, April 2001, the author explores the advantages of composite amplifiers and provides a detailed description on how he built his 50W per channel unit. A composite amplifier (also called nested-feedback amplifiers) consists of two or more operational amplifiers cascaded together with a negative-feedback loop around the entire network. Read the complete article now available online.