Drawmer Introduces 1971 Dual 4-Band Parametric Equalizer

Drawmer Electronics introduced the all new Drawmer 1971 4-Band Parametric EQ. This new design performs subtle shaping for mastering purposes that require a delicate touch and easy recall, but is just as capable of tonal sculpting, adding the analog warmth and character that is near impossible to emulate in the digital domain. Unique to the 1971 is the CRUSH button, a switchable option available on each band, adding a fixed time constant, auto gain makeup compressor with a wider rounder bandwidth and musically pleasing harmonics.

Drawmer announced a new analog channel strip unit, directly targeted at home and project studios looking to add vintage characteristics and analog warmth to their productions. Offering all the features required for a single, comprehensive channel strip, the Drawmer 1977 combines an ultra clean preamplifier and a three band parametric equalizer with the silkiness of the soft knee compressor, and 3 types of variable harmonic saturation.

Drawmer introduced the 1972 Dual Mic, Line and Instrument Pre-Amplifier, developed for capturing and recording from a variety of sources and utilizing the multitude of microphones found in the studio, from budget to high-end dynamic and also ribbon mics. Uniquely it has added features that help out in difficult to record situations that are not found on other preamplifiers. A new classic for a wider market, from the British audio brand.

Drawmer has expanded the breadth and depth of its dynamic processing offerings with the new Drawmer 1970 Dual FET Compressor and Pre-Amp. Audio engineers will notice the similarity of the 1970’s layout to the company’s flagship 1960 Mic Pre & Vacuum Tube Compressor, and, according to the brand, it is destined to fit a similar role in applications where transparent preamps and punchy FET compression fit the bill.

The new MC3.1 Monitor Controller is now shipping. This is the latest product in the brand’s Monitor Controller family bringing an expanded feature set over the MC2.1. Full cue mix facilities, a secondary preset volume control to give repeatable calibrated output, a digital input, Low/Mid/High band solo, Individual Mono/Sub select, and External talkback Mic input with footswitch control are all new additions. Housed in a stylish aluminum Desktop wedge shaped chassis, with external power supply.

Based in Yorkshire, England, Ivor Drawmer’s company has a long history of audio processing innovation and brilliant audio circuits. In recent years, Drawmer has been working on some brilliant monitor controllers and monitor preamps for studio work. Complementing those new studio systems, Drawmer now introduced its high performance CPA-50 compact Class D amplifier, delivering 25W rms per channel into 8 ohms (50W rms per channel into 4 ohms) or working as a 100W rms into 8 ohms monoblock which allows bi-amped or bridged modes.

TransAudio Group, longtime U.S. distributor of Drawmer professional audio products, is shipping Drawmer’s new 1978 Stereo Tone Shaping FET Compressor. The 1978 builds on the success of the award winning 1973 multiband FET compressor with an expanded array of controls to give unparalleled flexibility to recording and mix engineers who wish to bless their tracks with an analog soul.

The new Drawmer MC1.1 monitor pre-amp follows the success of the previous Drawmer MC2.1 monitor controller, this time designed with the project studio market in mind. The MC1.1 shares the same analog circuitry and robust linear power supply, while also featuring a phono input, at an affordable $549.00 MAP price.

The new Drawmer MC2.1 Monitor Controller combines the complexity of several mix-checking features with the fidelity and transparency of the highest quality monitoring circuit. This versatile and intuitive unit offers multiple inputs and outputs, including a dedicated mono output, speaker-level …