Crosslite+ Two-Way DSP Filter Design Tutorial

February 9 2022, 14:20
I recently became aware of a new and what promises to be a very powerful tool for designing DSP-type powered loudspeakers called CrossLite+. CrossLite+ comes from a relatively new Brazilian pro sound-oriented technology company, F.MonteiroScience. CrossLite+ is intended for two primary pro sound markets, product development of DSP-powered speakers and for use in live sound PA systems.
 

Under development since 2009, CrossLite+ is a dual-channel FFT analyzer that will function with basically any USB-type recording interface and a measurement microphone. Measured data can also be imported from other analyzer as Rational Acoustics Smaart, Audiomatica CLIO, Klippel KA3, and ARTALabs ARTA. Once data has been measured or imported to CrossLite+, it can be used to design a complete crossover for a powered loudspeaker.

Once data has been measured or imported, CrossLite+ can be used to design a complete crossover for a powered loudspeaker. Next, a user can create DSP FIR and IIR filters — high pass (HP), low pass (LP), shelving HP/LP, and parametric EQ — these can then be downloaded to processing platforms that currently include miniDSP and Armonia Plus from Powersoft. For powered studio monitor design or powered WiSA home theater speakers, this should be an outstanding tool for designing DSP-type powered loudspeakers.

I wanted to provide some more detail about this interesting software via a short two-way speaker design tutorial. The drivers that F.MonteiroScience used for this explication were an 8” pro sound woofer and a 1” titanium compression driver and horn.
 
Figure 1: Main operating window of Crosslite + showing the measured data of the 8” sample.
Figure 2: Main operating window of Crosslite+ showing the measured data of the 1” titanium diaphragm sample.

Figure 1 and Figure 2 show the response curves (both on- and off-axis) measured by the built-in Fast Fourier Transform (FFT) analyzer — the red curve being the woofer and the green curve the titanium high-frequency driver. Figure 3 illustrates the method used to do a sensitivity calculation. In this case the high-frequency driver was determined to be an 8.8dB SPL differential between the two drivers.

Next, a flat target response was applied to both drivers and Crosslite+ optimized the FIR filter response as seen in Figure 4 and Figure 5. However after optimizing the filters, we still have a sensitivity issue. Note also the impulse curves at the top of the graph in Figure 5 indicate that these drivers were not time aligned. Looking at graph in Figure 6, Crosslite+ has now adjusted the sensitivity and corrected the alignment issue by zeroing the phase.

The result was an acceptably flat response profile. The Wavelet Transform shown in Figure 7 confirms the phase linearity at all frequencies, as well as symmetry between left and right impulse sides, while Figure 8 shows the corrected phase response that facilitated the time alignment of the two impulse responses. 

Another way to compare phase linearity at all frequencies, is to use the complex (real and imaginary) transfer function 3D graphs shown in Figures 9–11. Looking at the graph shown in Figure 12, a memory button has allowed us to compare the original on-axis response with the final FIR developed filter response. This complete filter set can now be downloaded to a DSP platform such as miniDSP or Powersoft’s Armonia Plus. 

Obviously, Crosslite+ is a very powerful software for the development of DSP crossovers for powered loudspeakers. Priced at $500, Crosslite+ is available online from F.MonteiroScience. VC 
www.fmscience.com.br 
 
Figure 3: This view shows the screen utility for measuring driver sensitivity.
Figure 4: Example of Crosslite+ optimizing the response of both drivers to a flat target.
Figure 5: This graph shows the sensitivity difference as well as the delay in the two impulse responses.
Figure 6: This screen shows the high-frequency driver sensitivity adjusted, and the impulse response of both drivers aligned.
Figure 7: The Wavelet Transform confirms the phase linearity to all frequencies, symmetry between left and right impulse sides.
Figure 8: This graph illustrates the phase response before and after zeroing the phase to align the two drivers.
Figure 9: This is a first view of a 3D complex transfer function (real/imaginary) graph that can be used to compare phase linearity in all frequencies.
Figure 10: Same graph as Figure 9, but with a different display presentation.
Figure 11: Complex transfer function 3D graph after FIR, imaginary part near zero and real tending to 1 on pass band, showing the tendency to magnitude flat and phase zero.
Figure 12: Graph of the final response of the low-pass driver (8”) and the original driver response using the memory function.
This article was originally published in Voice Coil, December 2021.
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About Vance Dickason
Vance Dickason has been working as a professional in the loudspeaker industry since 1974. A contributing editor to Speaker Builder magazine (now audioXpress) since 1986, in November 1987 he became editor of Voice Coil, the monthly Periodical for the Loudspeake... Read more

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