Drawmer MC1.1 Monitor and Phono Pre-Amp is Now Available

The new Drawmer MC1.1 monitor pre-amp follows the success of the previous Drawmer MC2.1 monitor controller, this time designed with the project studio market in mind. The MC1.1 shares the same analog circuitry and robust linear power supply, while also featuring a phono input, at an affordable $549.00 MAP price.

PreSonus launched its new Studio 192 USB 3.0 Audio Interface and Studio Command Center. This new 26 x 32 interface records at up to 192 kHz and combines eight digitally controlled XMAX Class A solid-state mic preamps and premium Burr-Brown converters with the company’s StudioLive Fat Channel signal processing.

One of the highlights from TC Electronic at the 2015 NAB show in Las Vegas as well as at Musikmesse and Prolight+Sound in Frankfurt is the Clarity X, a new multi-format monitor controller that works with any professional loudspeaker. It comes with a small-footprint remote control, measurement microphone and a full range of meters.

Antelope Audio had much to show at the 137th Audio Engineering Society Convention in Los Angeles, including the new Satori Monitoring Controller, combining true analog monitor control with an 8-channel summing mixer, extensive connectivity options, four independent headphone outputs and mid-side monitoring, all in 1RU.

Crane Song by Dave Hill introduced two new products at the 137th AES Convention in Los Angeles. The Avocet II discrete class A monitor controller, the latest iteration of one of Crane Song’s best-selling hardware products, features an entirely new DAC and also offers significantly improved jitter performance. The Insigna Tube Equalizer, featuring three bands of EQ plus selectively variable high and low pass filters, is the third 500 Series module from Crane Song.