According to Roland Hemming, audio consultant, principal of RH Consulting and the creator of this annual survey, "the last twelve months have seen a complete overhaul in the way RHC conducts its research and even closer collaboration with relevant industry trade associations and manufacturers. Consequently, the 10th edition of the report is the most comprehensive and accurate to date."
The statistics show that quite clearly that the number of networked AV products continues to grow, despite the difficulties we’ve all encountered over the last two years in the face of the global pandemic. A total of 4,142 networked products are currently shipping from 444 manufacturers, which represents even more new products on the market than last year. In AoIP terms, it’s no surprise to see that Dante remains ahead of the game by an order of magnitude that seems unlikely that anyone will bridge, but Ravenna continues to progress modestly in second place, and remains the number one protocol of choice in the broadcast market.
While Dante remains by far the dominant audio networking technology with more manufacturers using Audinate’s technology than anyone else, 3,301 products currently in the market, and 472 new products added in the past 12 months, the number of AES67-compatible products is now close to 3,000. AES67 compatible products work across Dante, Ravenna, Livewire+, Wheatnet and a few that are ‘raw’ AES67 compatible. While Dante currently supports AES67, not all Dante solutions in the market support the standard. Interesting also to note the growth in ST2110-30 (AES67) and ST2110-31 products, which the report breaks down for the first time.
As Roland Hemming also notes, "With 259 products, Ravenna shows the second highest increase in products. This count includes about 50 products that use standard Ravenna but for their own reasons don’t (currently) publicly state that it is a Ravenna solution."
Video and control are a different story as both are still very much in their infancy when it comes to IP networking. The report contains a detailed breakdown of what was looked at and how products were counted. In broad terms, Roland Hemming notes that the market feels very much like audio networking did in the early days: “The largest proportion of networked video products are simply interfaces to get other types of video signal on and off the network,” he observes. “It was much the same story for AoIP ten years ago when there was a huge number of analogue-to-network input/output devices. However, this has since diminished quite considerably as more and more manufacturers integrate networking capability directly into their products.
“Interestingly, when we first started counting networked audio products in 2013, we reported a total of 428 devices. Ten years later we have counted almost exactly the same number - 420 to be precise – of networked video products. This is a fascinating comparison and will offer us an excellent opportunity to compare the growth curves of networked video against networked audio over the next few years.”
For a full breakdown of all the statistics and a comprehensive listing of all the protocols considered and how the data is compiled, please visit https://rhconsulting.uk/blog/networked-audio-products-2022/
www.rhconsulting.uk
