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As always, SPL manages to impress positively in every aspect of its designs. The new Channel One Mk3 is now a perfect front-end for modern production, elevating the signal chain that a home or project studio could aspire to have. For over 20 years, the SPL Channel One has been a synonym for a high-quality and extremely musical recording and mixing channel strip. In the newest Mk3 version, this classic has been thoroughly revised and improved.
In addition to a higher internal audio voltage (now +/- 18V) for even better, more detailed sound, and further improved preamplifier section, it also provides an integrated Transient Designer, a Tube Saturation stage and a Mic A/B comparison option for two microphones. With de-esser, compressor and equalizer, all the important tools of a real channel strip are still on board.
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And the Channel One Mk3 offers the possibility to process line signals. This means that sources with line level, such as an analog signal from an audio interface, can be processed with de-esser, compressor, limiter and equalizer and then be recorded again. In this way, Channel One Mk3 becomes an "analog plugin" within an insert of a DAW.
Among other major highlights, the Mk3 models adds a tube saturation stage with automatic output level (up to 6dB max), allowing to explore from subtle to extensive harmonic distortion and saturation effects. And this can be inserted at different points of the channel. The other new circuit is an analog Transient Designer using Differential Envelope Technology (DET) for level-independent processing of dynamic signal characteristics.
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As for the new design of the Track One Mk3, it combines all the high-quality essentials to make for a great studio, broadcast or voice recording channel. Whether for a singer-songwriter or voice-overs, the Mk3 enriches the microphone, line or instrument signal, adding de-esser, compressor/limiter and equalizer stages. The mixing channel strip has been improved in some technical details and optimized with the needs of modern recording studios in mind, making it more intuitive and effective.
The Track One Mk3 is equipped with two preamps: a microphone preamp with 48V phantom power and a separate instrument preamp, both with open and transparent characteristics. The gain control offers up to 63dB with microphone signals, between -12dB and +22dB for line level signals, and 0 to +35dB for musical instruments. Like the Channel One, the Track One Mk3 offers the possibility to process line signals and create an analog insert directly on a DAW.
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SPL is offering both Mk3 devices also available in a premium version with built-in transformers by Lundahl. The standard version of the SPL Channel One Mk3 retails for $2,199, while the Lundahl-equipped model retails for $2,487. The Track One Mk3 is available for $1,049, with the Lundahl premium model retailing for $1,218.
www.spl.audio
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