Bass Shakers (Part 1): Enhancing the Deep Bass Experience with Tactile Energy

Get ready to shake! Our perception of live music and the auditory world in general includes not only airborne sound energy, but also structure-borne vibrational energy. This creative impact can be powerful, and as subtle as the anticipation created when Jurassic Park viewers first see the dinosaur’s footfall as waves in a puddle, feel the first tremor, and finally hear the thundering vibration. This article was originally published in audioXpress, April 2014.

This month’s Test Bench driver is the T35C002 1.5” tweeter from Norwegian high-end home audio manufacturer SEAS’s home audio driver Excel line. The T35C002 is basically an Excel line version of the company’s Exotic line T35 Alnico V tweeter, but it uses a neodymium magnet, with a 1.5” coated cloth diaphragm sourced from German high-end diaphragm manufacturer Dr. Kurt Muller (DKM). This article was originally published in Voice Coil, April 2014.

From March to August 2014, in its Sound Control column dedicated to acoustics, Richard Honeycutt reviewed and wrote a series of articles on the evolution of predictive acoustics and acoustical modeling software, including a review of some of the available tools. This second article in the series focused on one of those available tools: Bose Modeler. This article was originally published in audioXpress, April 2014.

In this article for audioXpress, Bill Reeve discusses “An Alternative to Linear Regulators.” A project were he searches for equivalent power-line ripple rejection with less power dissipation, using a source follower-based (SFB) low-pass filter. Because no one wants to listen to an audio amplifier that hums. This article was originally published in audioXpress, April 2014.

This month’s audioXpress reviews the different approaches in microphone placement techniques for capturing and recording unamplified acoustic music, particularly classical music. A recent study and AES presentation has reignited this issue and our author Gary Galo decided an historical perspective was needed in his article “Stereophonic Recording: What Do Listeners Prefer?”