To this day, many aspiring and professional audio recording aficionados adamantly maintain that analog recording and the 'good old days' of tape will never be replaced by today's random access digital solutions (they didn't noticed it did). And considering that many of today's recordings are sometimes mastered at least partially in the analog domain for the 'warmth' that many musicians feel digital lacks, this mindset is likely going to stay with us for a long time. Knowing that reel to reel recorders are out of reach for many of these "aficionados" - which are using plugins to emulate tape anyway - TASCAM decided to introduce the TASCAM 424 Studio Master High Bias Type II Cassette tape-specifically designed for use with the company's Portastudio series cassette recorders.
In 1979, TASCAM/TEAC created the 144 Portastudio, the world's first portable home studio integrating a mixer and multi-track recorder. The 144 truly revolutionized home recording for the masses, and an infinite number of artists and musicians created their music on a Portastudio. The 144 Portastudio and other follow up Portastudios such as the 244, 246, Porta One, Porta-02, 424 series and more models, used inexpensive and easily found Type II High Bias cassettes. In the early 1980's TASCAM created the legendary "gold reel" cassettes, which are now collector items. But today, any high bias type II cassettes are very hard to find.
The new TASCAM 424 cassette was developed in close coordination with National Audio Company, Inc. of Springfield, MO, the manufacturer of cassette tape and the world's largest duplicator of recorded music cassettes. The TASCAM 424 cassette employs a hand assembled shell manufactured using traditional injection molding and 3-D printing to re-create the original TEAC shell with miniature gold reels from the early 1980s - in many ways, making the cassette a modern collector's item. The cassette packaging will read 'TASCAM 424 Studio Master C-60'.
"The TASCAM 424 Type II cassette is a Type II High Bias cobalt formulation using currently available magnetic oxides to recreate the tape which Portastudios were designed to use. The recording bias and equalization settings for this tape are as near a match for Portastudios as possible with materials available in 2021. Operators familiar with Portastudios will easily be capable of 'fine tuning' for the new tape," says Steve Stepp, President of National Audio Company.
"And to ensure the utmost authenticity, we used a TASCAM 424 Portastudio that was refurbished to like-new condition for beta testing during the tape formulation process. These new cassettes are, without a doubt, the optimal media to use on vintage TASCAM Portastudios," he adds.
The new TASCAM 424 cassette is far from National Audio Company's only experience with TASCAM products. In addition to being both a cassette tape manufacturing and duplication facility, the company uses TASCAM 122mkIII 3-head broadcast series cassette decks in their mastering suites for quality control because of their durable construction and reliable performance.
"The TASCAM 424 cassettes will satisfy the demand for new cassettes formulated to perform properly in Portastudios while capturing the look of and feel of the company's heritage. The fact that these cassettes were tested throughout development using a TASCAM 424 Portastudio shows how everyone involved in this effort wanted to ensure the highest level of authenticity. No more overpriced, years old NOS (new old stock), such as you might find available online, which may have been stored in less-than-optimal conditions-thus degrading their quality. These are the only High Bias Type II cassettes currently being manufactured today."
The 424 Studio Master C-60 Cassette is part of TASCAM's 50th anniversary celebration and offered as a limited-edition product. TASCAM Director of Product Marketing Paul Youngblood added, "As soon as we determined that the legendary gold reel TEAC cassettes could be recreated, we immediately decided this was a perfect way to celebrate the profound history of TASCAM and the Portastudio. I personally own at least 20 of the originals, which I used with my cherished 244 Portastudio".
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